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Greater Boston Chapter |
THE ROLE OF STRUCTURAL RESONANCE IN GUITAR SOUND RADIATIONOR, A STRUCTURAL ACOUSTICIAN EXAMINES HIS GUITARS |
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FEATURING SPEAKER(S): |
DESCRIPTION: We've all seen the old Chladni patterns of vibration of a plate cut to the shape of a violin top, or the more modern pictures of the vibrations of violins and guitars using vibrational modal analysis or optical interferometry. Usually 5 or 10 patterns will be shown at resonance frequencies showing differences among designs, but without any direct connection drawn between the quality of the sound and those patterns. After taking up the guitar as a post retirement activity 10 years ago, it occurred to Dr. Lyon that there didn't seem to be enough resonances to support all the frequencies to be radiated. And if that were the case, why didn't one note sound a lot louder (or quieter) than the others? This talk describes how Dr. Lyon approached the task of trying to answer that question. |
DATE: Wednesday, November 8, 2006 |
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TIME & PLACE: UPDATE 5:30 PM – Dinner (optional): 7:00 PM – GBCASA Presentation |
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| PARKING: On street parking is available along Fawcett & Moulton Street. |
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| PUBLIC TRANSPORTATION: MBTA (Red Line) – Alewife Station |
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| Click here for a PDF (printable) version of this notice. |
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